Showing posts with label cameras. Show all posts
Showing posts with label cameras. Show all posts

Tuesday, August 7, 2012

LC-Wide x Fisheye 2 on the Streets of Fitzroy

LC-Wide x Fisheye 2
LC-Wide x Fisheye 2
LC-Wide x Fisheye 2
LC-Wide x Fisheye 2
LC-Wide x Fisheye 2
LC-Wide x Fisheye 2
LC-Wide x Fisheye 2
LC-Wide x Fisheye 2
LC-Wide x Fisheye 2 (Lomography 800CN film)

On Saturday morning there was a brief, yet exciting few hours of sunshine here in Melbourne... so out I went with my LC-Wide & recently borrowed Fisheye 2... one swapped double exposed film later & I'm super happy with my results... I love experimenting with double exposures & I think I will really learn to love the Fisheye 2.

I love how well the two very different lens of the LC-Wide & Fisheye 2 complement each other & give different angles... I will most definitely be using this combination of cameras again very soon. I also love how forgiving the 800 speed film can be, without too much grain... I look forward to maybe even giving some xpro a go next time on this little doubles combination.

I love walking the streets of Fitzroy, if for nothing else than the awesome old cars that you see around the place... I'm always a sucker for a cute old car & a bit of lane way street art... oh & don't forget the occasional (done too much these days) feet shot.

Come on Melbourne sunshine, stay just a little longer?

x Mel 

Saturday, July 14, 2012

The Winter Wait

A006586-R2-00-37A
A006586-R2-16-21A
A006586-R2-19-18A
A006586-R2-25-12A
A006586-R2-35-2A
LC-Wide (Kodak Ektar 100CN)

Oh, the Winter Wait (as I call it)... that time when you are just trying to wait winter out... when you really do know deep down inside that there is a minimum of 6 weeks of chill left. Sometimes I think a bit of englishness rubbed off on me from my days in London, like taking about the weather... yes I most definitely talk about the weather too much.

To think that this time last year I was in a New York City "heatwave"... I remember how lovely it was to be warm again, then I also remember the sunburn & the noisy airconditioner in my Chelsea hotel room. It really does only feel like yesterday since my days in New York... *mental note - need holiday*

I know that now I'm helping out with the excellent Australian/NZ people that my opinion of Lomography products will sound biased, but just to clear that up... this is MY blog... I promise only to talk & post things that I think are completely awesome & amazing... in this tradition I want to mention how much I love my LC-Wide... in hindsight it really was worth every cent I spent on it. I highly recommend that anyone who has used an LC-A before should get their hands on a LC-Wide & at least put a roll of film through it. I still love my old Russian LC-A, but I must say that the LC-Wide is slowly & surely swaying me her way.

Antipodeans, stay warm. Everyone else, stay cool.

x
Mel

Saturday, July 7, 2012

Supersampler Early Winter

A006586-R3-19-16
A006586-R3-27-8
A006586-R3-28-7
A006586-R3-12-23
A006586-R3-00-37
Supersampler - Lomography 800CN film

Oh Melbourne in winter, there is always that chill in your bones that often disappears in hot showers & cosy beds, but always reappears with a sudden jarring moment familiarised by the term 'burrr'. Then there are the sunny days, that aren't necessarily any warmer, but they give a heightened illusion of warm, even if just to the eyes. They make the cold that much more bearable & all the layers, socks, scarfs & coats worth it.

I've been lucky enough to have a couple of my wonderful interstate friends & my awesome family visit in the last few weeks. It is always lovely to have visitors, show them 'my' Melbourne & share with them my favorite cafes, restaurants, galleries & lane ways.

This time last year I was preparing for a trip to New York City... a summer break from the Melbourne winter chill... this year I will just have to layer up, curl up & think warm happy thoughts.

x
Mel

Wednesday, May 9, 2012

Melbourne Streets - Autumn 2012

A005616-R4-14-23A
A005616-R4-07-30A
A005616-R3-38-39
A005616-R4-06-31A
LC-A (Lomography Redscale XR 50-200 - shot at ISO 50)

It seems fitting to use redscale film now that all the leaves in Melbourne are turning to the warm glow of orange, red & yellow...  Lomography Redscale XR 50-200 has been a favourite of mine, but you can also easily make redscale film at home!

Here are a few make your own redscale film tutorials:
- Redscle Technique - The Principle of Light Penetrability.
- DIY Redscale Film
- How to Make Redscale Film

Have you tried redscale film before?

x
Mel

Saturday, April 28, 2012

One for the weekend

A005297-R1-24-13
A005297-R1-33-4
B004896-R2-18-18A
LC-Wide (Fuji Superia 200 film)

Oh, it's the weekend!

While late autumn is settling in with cool temperatures here in Melbourne, I can see & read about all my northern hemisphere friends welcoming in the days of spring... I'm trying not be be jealous & embrace jackets & tights. I've been enjoying the last couple of warm days in Melbourne at friend's birthday picnics in the park & slowly loading higher & higher ISO film into my cameras.

Tomorrow is World Pinhole Day... so this weekend I'm going out to shoot my very first pinhole photographs with my Diana F+ (in pinhole mode of course!). I'm throwing up between using black & white film, 400 or 100 colour negative... hmmm.

Are you shooting pinhole this weekend? What are your plans for the weekend?

x Mel

Wednesday, March 14, 2012

Friends in Black & White

LC-A (Kodak BW400CN)

I often forget how much I love using black & white film in my LC-A... a wander around the streets of Melbourne & a couple quiet drinks with some work friends easily changed that.

The season is slowly changing here, the nights are getting cooler, the mornings have a slight chill, jackets & cardigans are slowly emerging from closets. Soon the light will become scarce & I will be pushing 400 & 800 ISO film through my cameras & watching the leaves fall.

x Mel

Tuesday, March 6, 2012

NYC - Instant Love

19 11
33 34
38 36
52 66
Fuji Instax Mini 25

So New York February has come to a (late) close, but I would like to thank all of those who were guest bloggers & for all the lovely comments over the last few weeks. This final NYC post is dedicated to the Fuji Instax Mini 25 & it's instant love of the city. I simply loved using this little camera to create pocket sized memories of NYC & I'm sure that there is something that shines through these photos which feels truly authentic & real.

milk&miel blog also hit 20,000 views today, so thank you all muchly for all the link love & for reading my dear little blog.

x Mel


Sunday, March 4, 2012

NYC Guest Post: Elle - Everything Reminds Me of You



Like many girls, when I was in my late teens and early twenties, I dreamed about New York. It was literally a world away from the small town where I grew up in New Zealand. My fantasies were fuelled by classic movies like Breakfast at Tiffany’s and An Affair to Remember and television shows like Sex and the City and Friends. I spent years in love with a city I’d never visited. I told myself this was where I belonged.


Since I moved to London in 2006, New York is suddenly much more accessible. Just a six or seven hour flight. I feel extremely lucky that my job now takes me there a few times a year. I have just returned home yesterday from such a visit. I added on an extra day and half on to my trip to explore further, and of course, to take photos. The photos in this post were shot using my Polaroid Spectra camera with expired Polaroid Image Softtone film and my Polaroid SX-70 camera with Impossible PX70 Colour Shade film.


I spent an amazing day in Brooklyn – made even more enjoyable by the extremely well-curated City Scout guide produced by the lovely ladies behind the Studio Sweet Studio blog. I loved visiting the places they recommended. I like it when you can visit cities and see them through the eyes of the people who live there, rather than as a tourist.


Now that I’ve been to New York quite a few times…. I’m as much in love with the city as I always was. Possibly more. You see, newspaper columnists don't really have million dollar wardrobes and waitresses don't really live in huge lofts. As my early girl crush Carrie Bradshaw put it "No one has breakfast at Tiffany's, and no one has affairs to remember. Instead, we have breakfast at 7am and affairs we try to forget as quickly as possible." Sometimes, real life is even better.

Elle x
Everything Reminds Me of You

Sunday, February 19, 2012

NYC Guest Post: Liam White

Craning
Hasselblad 500 with Kodak Portra 160

"It was cold in NYC when I was there; cold and weakly sunny. Like Hobart, the city I called home for eight years, the wind cut right through me, carrying with it the promise of snow. I’d visited at the beginning of November; two days after visiting Philadephia, and a day after 24 hours in Washington DC that seemed to whir by. My time in the USA came at the tail end of a month in Mexico, where I’d gone on holiday by myself for the first time in my life, at 30 years of age.

The thing I was struck with about New York City, and still can’t get over, is its size. Never mind the scale of the States in general. US blocks bloat for hundreds of metres, yards are huge, pickups are limousine-length, and cities are purpose-built for auto-commuting.

But it was NYC, more than anywhere I visited in my short time stateside, that really messed with my sense of scale. Manhattan itself is bewilderingly huge, with hulking yet elegant offices, glittering department stores, teetering high-rises and the fading grandeur of city apartments stacked neatly row upon row, as far as I could see."

Central Park, NYC
Hasselblad 500 with Kodak Portra 160

"I stayed in Williamsburg, that of vegan restaurants, bagel bars, and expensive thrift stores, renting a lonely apartment just off Bedford Avenue. Each day as I got off the L train at Union Square I involuntarily looked up, trying not to gape openly at the scale of the city. I couldn’t help myself. New York made me feel like a kid again, trailing doggedly behind my parents, feeling ant-high. I walked block after block, past bagel sellers, kebab vans, stalled traffic, until my legs and back ached, and my hands had numbed from the cold. I took the lift to the Empire State Building's 86th floor. I met a friend on his last night in the city and went to a hockey game, drinking beer and crushing whole peanuts. I walked through Broadway, Central Park, the East Village, the Flatiron District, walked, walked, walked, Each day I would take the train home, open a beer, and distractedly watch English football highlights on cable before heading out for food. I was tired, a little mopey, and overwhelmed in a city I felt like I needed a month to understand. Four days weren't enough. I wanted more.

Although there was life everywhere, NYC seemed to me austere, reserved, contained, serious. More of a compartmentalised city, even more than the self-awareness of Washington DC and the artsy fun of Philly. I expected New Yorkers to be brash; instead, they were unfailingly polite. Even as they asked me what part of England I came from (Melbourne, Australia), they exuded warmth. It was almost disappointing. I wanted some ‘tude. I hadn’t even been called an asshole yet."

Spinner 360°

"On my way to JFK Airport to take my plane back to Australia, I left my apartment, key hanging inside the now-locked door, with a route mapped out to the airport. Easy. The thing that I didn’t count on, though, was the New York Marathon being on that day (who reads the newspaper on holiday?), and Bedford Avenue being closed to both car and pedestrian traffic. Shit.

I needed to get that train, and the only entrance to the subway was on the other side of the road. There were no gaps in the runners. Five, a dozen would pass at any one time. There was no chance of crossing without bumping into at least one marathon runner. Besides, the cops were right there. After fifteen minutes trying to plot alternate routes, and finding that every subway entrance within walking distance was on the other side of Bedford, I asked a cop how I could get to the subway. After cheerfully telling me I couldn't get there, and seeing the look on my face, I asked him if there was any way I could get to the beckoning subway entrance, not ten metres from the other side of the road.
“Just run across,” he said.
“Uh…,” I said, eyeing the unending stream of thousands of focused-looking runners coming towards me, with no gap in sight.
“Uh…, I’ve got my pack. I don’t think…”
“Sure ya can,” he grinned, and firmly shoved me out into the middle of the street, where I flailed my way across to the other side, pissed-off runners streaming either side of my turtle-like movements, my ridiculous backpack turned leaden shell.
“Aw, c’mawn!” came the cry from a sweating, frowning runner as she dodged my lumbering gait. I apologised, but smiled a little smile to myself as I went down the stairs to the subway. I’d gotten my ‘tude."

Liam White

Tuesday, February 14, 2012

NYC Guest Post: Fotodudenz

In the gift shop
“In the gift shop” Hasselblad Xpan & 30mm, Kodak BW400CN

"Hi, my name is Matthew, some people know me as Fotodudenz and two people know me as Wideboy. In September 2010 after years of deliberation I finally made it to New York, girlfriend, 3 film cameras and one digital camera (purely for the video) in tow. Mel has asked me to share a few images and write some words about my experiences.

My biggest fear about shooting film in the USA was how many X-ray machines my films would have to endure as you pass through the overly paranoid TSA at the airports. I visited New York on the 9th anniversary of 9/11 and they were extra paranoid. I just took a minimum amount of film with me and bought more when I arrived, you can’t go New York without visit to B&H!"

Canal Street Station
“Canal Street Station” Voigtlander Bessa L & 12mm, Kodak Ektar

"When you arrive you’ll probably be jet-lagged to all hell so make the most of it and get out there and shoot! The early morning light is amazing, when the sun comes up it peeks its way through the gaps between the buildings and make these amazing slithers, it also reflects back and forward off the windows and makes pockets of amazing soft light. It’s also well before most people in New York get up and you pretty much have the streets to yourself.

If you’re into shooting people New York is awesome, most of them seem to not give a fuck but use your common sense, oh and don’t worry, they’ll tell you if they don’t want to have their photo taken. I had a few conversations with people I took photos of, the most interesting was with the couple who are in “The Sunbather and the Ice Breaker”. I was taking a photo nearby and he yells out “So do you like photos?”, he showed me photos of Coney Island in the winter and there was snow on the beach! Surreal. I must go back in winter. She didn't give away too much about herself, she looked like she had spent a lot of time in the sun. We were there on September 11th and she told me that she hadn't been to Manhattan since 9/11."

The Sunbather and the Ice Breaker
"The Sunbather and the Ice Breaker" Hasselblad Xpan & 30mm, Kodak BW400CN

"What to see: The all of the obvious places like The Statue of Liberty, The Guggenheim, Central Park, The Empire State Building, The Manhattan and Brooklyn Bridges and Grand Central Station. Don’t leave anything until the last minute, I got sick on the second last day of my trip and I didn’t get to see some stuff, oh well, I’ll just have to go back sometime. Check out Coney Island, it’s about an hour south from Manhattan in Brooklyn and if you’ve got heaps of time, Montauk, East of East Hampton."

Tucker
“Tucker” Hasselblad Xpan & 30mm, Kodak Ektar (I think)

Matthew can be found at www.fototheque.com & on Flickr.
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