Showing posts with label Ian Tatton. Show all posts
Showing posts with label Ian Tatton. Show all posts

Thursday, April 14, 2011

Diana Mini Workshop with Ian Tatton - Part 2.


As promised, the second and final part of Diana Mini tips and tricks from Ian Tatton's Diana Mini Workshop. Thanks to Lomography Australia/NZ.
Diana Mini - Tips and Tricks! 
Half-frame and Square frame settings. Only switch formats after you have operated the shutter and before you have advanced to the next frame. Don’t force the switch. You will break it. 
Long exposures. The lens stays open for as long as you hold the cable release or exposure button down when set on ’B’. Use a tripod or find something to rest your Diana Mini on or against... table, TV, brick wall. 
Double and multiple exposure photography double the film’s exposure with every shot. Build your shot with this in mind. Half wind forward, then shoot again for endless panoramas. 
The burnt edge is an added extra if you don’t over wind your film on. You can get 26 or 27 exposures out of a 24 exposure roll, and 40 or 41 out of a 36 exposure roll. And who doesn’t love extra frames. 
The Diana Flash can also be used while detached from the camera body! You can hold it up higher, aim it from the side, from underneath or let your subject hold it! Fire at will to get some funky lighting effects. And not to forget - in long exposures, you can fire it again and again and again (for use only in a darker setting). You’ll need to separate your flash from your Diana Mini, and give the flash to your photo subject (who, in this circumstance, really should be a person!) Turn your Diana Mini setting to long exposure (‘B’ setting), get your subject in shot and press the shutter switch down, holding for at least ten seconds before releasing. During this time, have your subject move to a few different positions with the camera’s view, firing the flash at intervals in every new position. 
Masks have been around since day one in photography. A mask is an area of film which is covered, blocked out or ‘masked’! 
Once you start your experiments it gets so addictive. So, here's how to do masks. 
1. Create an imagine for a mask. The size of the mask should match (or be slightly bigger to give it enough space when taping it your camera) the size of the frame of the camera you are using. 
2. Print it out on transparency. 
3. Cut it out. 
4. Turn it 180 degrees counter-clockwise or the image will come out upside down! Tape the mask on the frame inside your camera. 
5. Load the film over your mask. 
6. SHOOT! 
With film you will see every mistake you make! It’s all a part of learning how to use your camera. Be patient, and learn from your mistakes. If you aren’t sure of what you did wrong, just ask. 
(Text credit to Ian Tatton) 
You can find, Diana Mini Workshop with Ian Tatton - Part 1, here. If you have any questions, then you can leave a comment, email me or contact the Lomography.com.au team.

✦ Mel

Thursday, March 10, 2011

Diana Mini Workshop with Ian Tatton - Part 1.


This past Saturday I was lucky enough to be involved in a Diana Mini Workshop held by Lomography Australia/NZ in Melbourne as part of the Diana World Tour.

A group of 20 or so Diana Mini owners gathered in the No Vacancy Gallery space, clutching our little plastic cameras ready to absorb & reflect on the advice of fellow Diana camera fanatic & photographer, Ian Tatton.

Ian has been gracious enough to let me share some of his Diana Mini advice, tips & tricks. In this post I will cover the Diana Mini Basics & the 'Think SAFE' steps, with more to follow in later posts.
Diana Mini Workshop

The Diana Mini

"No. 1 rule - remember to remove the lens cap! If you don’t, all your pictures will come out black... same thing will happen if you open the 'back door’ mid roll as you’ll be exposing the film to light.

All films have different film characteristics. Generally speaking the higher the film speed (ie. faster film - 100, 200, 400, 800), the more light sensitive it is. With the Diana Mini, I tend to lean toward 100ASA film unless shooting in low light conditions, you can go with 100ASA film unless shooting in low-light conditions, you can go with 400ASA. Besides colour and B&W film don’t forget there’s the eye-popping colour explosion of cross-processed slide films when processed in negative chemicals and the warm reddish hues of Redscale film!

To take a photo, you must manually set all the camera settings.

Lighting is key to all types of photography. Light can be measured and controlled by its brightness using ‘Aperture and F-stops’. Put simply, on the Diana Mini - Cloudy (f/8) or Sunny (f/11) and by its duration - ‘N’ setting (1/60) or ‘B’ setting (timed Shutter Speed used for long exposures).

THINK SAFE

S - Shutter. Set the camera to N for normal photos (B for long exposures - on the B setting, the shutter will stay open for as long as you hold the shutter down).

A - Aperture. Evaluate the lighting conditions. If it is bright, under sunny skies, use Sunny settling. For overcast skies, use the Cloudy setting.

F - Focus. Decide how far you are from the subject, and set the focus ring accordingly.

E - Expose your film. Trip the shutter, advance your film (if you wish) and repeat!

If in doubt, shoot 2 frames or more of the same subject. If I was using the sunny setting, switch the aperture to Cloudy, to get a second negative with slightly more exposure.
 "
(Text credit to Ian Tatton) 
To further help you with film selection, my next post will be examples that I myself have shot with my Diana Mini over the past year & a half with a spectrum of different 35mm film, followed by more of Ian's excellent Diana Mini tips & tricks.

❥ Mel
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