Showing posts with label Melbourne Silver Mine. Show all posts
Showing posts with label Melbourne Silver Mine. Show all posts

Thursday, October 24, 2013

Exhibition Season 2013



Hi Folks... long time, no photos... I know! However, if you are in Melbourne over the next couple of weeks you will have the opportunity to come along to a couple of exhibitions I will be participating in, one being my final end of year exhibition at the Victorian College of Art & the other is the annual Unsensored Analogue Photography exhibition at Collingwood Gallery.

Would love to see you there!

x Mel

Friday, September 14, 2012

UNSENSORED12: An Exhibition of Analogue Photography

The Melbourne Silver Mine presents:

UNSENSORED12
Collingwood Gallery
292 Smith Street Collingwood


Opening Night:
Friday 14th September 2012 from 6pm

Exhibition dates:
Saturday 15th September 2012 – Wednesday 26th September 2012

Gallery open daily:
10am – 6pm Saturday & Sunday
Midday – 6:30pm Monday – Friday

This year’s show features photography by 47 Melbourne Silver Mine members.

I shall be exhibiting these photos 1 2 3.  I hope you can make it to the show.

You can grab the Exhibition invites here, please feel free to circulate them:
Square format: web | PDF (photograph by Emma Starr)
Landscape format: web | PDF (photograph by Nicole Davis)

This event is also listed on Facebook

x Mel

Monday, April 9, 2012

Instant Views on Melbourne

right angle city
ketchup/mustard
cloud/web
Untitled
Untitled9
Fuji Instax Mini (photo frames cropped)

I've been lucky enough to go on a couple of amazing photo walks of Melbourne over the past few weeks, firstly I went on a Melbourne Silver Mine Inc. photo walk run by Dave of Melbourne by Foot and secondly, just this past weekend I joined the Melbourne Polaroid Easter photo meet.  

I'm loving my Fuji Instax right now & am only just discovering how versatile it can be. I've also begun digitally cropping the frames off my Instax photos, I love how it gives more focus on the photograph itself.

On another note, one thing in life that isn't instant like polaroids is a new organ when one of yours doesn't work anymore. The lovely Elle's little sister is in search of a new little heart due to chronic heart failure, she has put a call out for people to register as a donor, so you can help save another person's life. You can see her post here with all the info about organ donation registers in various countries.

x Mel

Sunday, April 1, 2012

Talking of changing seasons


Diana Mini (Lomography 800CN & Kodak BW400CN films)

The season change is coming, daylight savings is finished, the clocks have fallen back & colourful cardigans are again making their way into the wardrobe of every girl (& fashionable man) in Melbourne.


x Mel

Sunday, February 19, 2012

NYC Guest Post: Liam White

Craning
Hasselblad 500 with Kodak Portra 160

"It was cold in NYC when I was there; cold and weakly sunny. Like Hobart, the city I called home for eight years, the wind cut right through me, carrying with it the promise of snow. I’d visited at the beginning of November; two days after visiting Philadephia, and a day after 24 hours in Washington DC that seemed to whir by. My time in the USA came at the tail end of a month in Mexico, where I’d gone on holiday by myself for the first time in my life, at 30 years of age.

The thing I was struck with about New York City, and still can’t get over, is its size. Never mind the scale of the States in general. US blocks bloat for hundreds of metres, yards are huge, pickups are limousine-length, and cities are purpose-built for auto-commuting.

But it was NYC, more than anywhere I visited in my short time stateside, that really messed with my sense of scale. Manhattan itself is bewilderingly huge, with hulking yet elegant offices, glittering department stores, teetering high-rises and the fading grandeur of city apartments stacked neatly row upon row, as far as I could see."

Central Park, NYC
Hasselblad 500 with Kodak Portra 160

"I stayed in Williamsburg, that of vegan restaurants, bagel bars, and expensive thrift stores, renting a lonely apartment just off Bedford Avenue. Each day as I got off the L train at Union Square I involuntarily looked up, trying not to gape openly at the scale of the city. I couldn’t help myself. New York made me feel like a kid again, trailing doggedly behind my parents, feeling ant-high. I walked block after block, past bagel sellers, kebab vans, stalled traffic, until my legs and back ached, and my hands had numbed from the cold. I took the lift to the Empire State Building's 86th floor. I met a friend on his last night in the city and went to a hockey game, drinking beer and crushing whole peanuts. I walked through Broadway, Central Park, the East Village, the Flatiron District, walked, walked, walked, Each day I would take the train home, open a beer, and distractedly watch English football highlights on cable before heading out for food. I was tired, a little mopey, and overwhelmed in a city I felt like I needed a month to understand. Four days weren't enough. I wanted more.

Although there was life everywhere, NYC seemed to me austere, reserved, contained, serious. More of a compartmentalised city, even more than the self-awareness of Washington DC and the artsy fun of Philly. I expected New Yorkers to be brash; instead, they were unfailingly polite. Even as they asked me what part of England I came from (Melbourne, Australia), they exuded warmth. It was almost disappointing. I wanted some ‘tude. I hadn’t even been called an asshole yet."

Spinner 360°

"On my way to JFK Airport to take my plane back to Australia, I left my apartment, key hanging inside the now-locked door, with a route mapped out to the airport. Easy. The thing that I didn’t count on, though, was the New York Marathon being on that day (who reads the newspaper on holiday?), and Bedford Avenue being closed to both car and pedestrian traffic. Shit.

I needed to get that train, and the only entrance to the subway was on the other side of the road. There were no gaps in the runners. Five, a dozen would pass at any one time. There was no chance of crossing without bumping into at least one marathon runner. Besides, the cops were right there. After fifteen minutes trying to plot alternate routes, and finding that every subway entrance within walking distance was on the other side of Bedford, I asked a cop how I could get to the subway. After cheerfully telling me I couldn't get there, and seeing the look on my face, I asked him if there was any way I could get to the beckoning subway entrance, not ten metres from the other side of the road.
“Just run across,” he said.
“Uh…,” I said, eyeing the unending stream of thousands of focused-looking runners coming towards me, with no gap in sight.
“Uh…, I’ve got my pack. I don’t think…”
“Sure ya can,” he grinned, and firmly shoved me out into the middle of the street, where I flailed my way across to the other side, pissed-off runners streaming either side of my turtle-like movements, my ridiculous backpack turned leaden shell.
“Aw, c’mawn!” came the cry from a sweating, frowning runner as she dodged my lumbering gait. I apologised, but smiled a little smile to myself as I went down the stairs to the subway. I’d gotten my ‘tude."

Liam White

Thursday, January 26, 2012

A Day Trip to Bacchus Marsh with MSMinc

MSMinc Bacchus Marsh trip
MSMinc Bacchus Marsh trip
MSMinc Bacchus Marsh trip
MSMinc Bacchus Marsh trip
MSMinc Bacchus Marsh trip
MSMinc Bacchus Marsh trip
LC-A (Lomography X-Tungsten 64 film)

Last Saturday I went on a photo day trip out to Bacchus Marsh (about 40 minutes train ride outside of Melbourne) with the excellent Melbourne Silver Mine Inc. crew. 

As always, I took many cameras... but my trusty little LC-A was again, the champion. It was lovely being out of the city for a view hours while catching up with other film camera geeks, snooping through abandoned houses, past farms & generally having a nosey around the streets of Bacchus Marsh.

This was the first time I've used the Lomography X-Tungsten 64 film & I must say I had high hopes... & most of them were met. I love the variety in the cross processed colours & the low speed. Can't wait to use it again.

Has anyone been on a photo trip out of town lately? 

I hope everyone (in Australia) is enjoying their day off for Australia Day, regardless of your view of it's importance.

x Mel

Wednesday, December 14, 2011

Love in the shape of SX-70.

Selfie

patersons

Unsensored 11

bikes&pavement

I have wanted to get myself a Polaroid SX-70 for quite a while now, but the unreliability of the new Impossible Project film & the cost (& expiry) of old 600 Polaroid film put me off.

While I was at the hanging night of the Unsensored 11 exhibition I got chatting to the other members of the Melbourne Silver Mine Inc. & then suddenly I was agreeing to buy a SX-70!

I must say I think I will continue to have a love/hate relationship with the new Impossible Project film, but there is hope for instant film!

Also see Elle's excellent Polaroids from NYC!

x

Thursday, November 24, 2011

UNSENSORED11: Exhibition of Analogue Photography


The Melbourne Silver Mine’s annual exhibition of analogue photography UNSENSORED is set to return to Collingwood Gallery on Friday November 25, 2011. And I am lucky enough to be showing three of my photographs in the exhibition!

UNSENSORED11 offers a glimpse into what film in its various formats can produce today. Once again the members of the Melbourne Silvermine Inc. are presenting a diverse range of images in both subject matter and tools/techniques. The exhibition includes images produced using traditional processes and techniques through to hybrid works that blur the line between film and digital.
If anyone is in Melbourne, the opening night is this Friday 25th November from 6pm.
UNSENSORED11
Collingwood Gallery
292 Smith Street Collingwood
Opening Night:
Friday 25th November 2011 from 6pm
Exhibition dates:
Saturday 26th November 2011 – Wednesday 7th December 2011
Gallery open daily:
10am – 6pm Saturday & Sunday
Midday – 6:30pm Monday – Friday
For more information see http://unsensored.net.
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